enamel painting minakariDo you mean Minakari ?!  Minakari the Enamel Painting ?!
Painting or painting is an art, with a limit of fifty years previously permitted under the Handicraft Collection.

The use of this art has mostly been done on Kerman copper, you can use it.

What does Minakari the Enamel Painting mean in a word?

The closest literal meaning for enamel is blue sky.

Enamel is a work of art that draws different designs, usually in white, on copper, silver and gold containers.

Minakari the Enamel Painting

History

The art of fire and soil can be traced back to the time of the creation of the tile, since it uses the same colors in the manufacture of enamel, and is also used in the manufacture of tiles. The history of the art of potting in Iran goes back to the Parthian and Sassanid times, but its use from Islam to pre-Mongol Mongol rule is not clear to us.

In fact, this may not be Iranian art, but because it has evolved in Iran, and especially in its artistic capital, the beautiful city of living, it has become completely Iranian and is now recognized as a sepan artist’s path in the eyes of the world.

Minakari the Enamel Painting

According to the research done, the history of the art of potting goes back to ancient Roman times. Because reports suggest that the porcelain is part of the statue of Zeus, it is one of the seven wonders dating back to 450 BC.

Painting is the glittering art of fire and earth with its brilliant colors that date back to the years BC and its appearance on metal during the fourth to sixth century BC and after 500 BC (Professor Pope). , Artar Aphram, Iranian Art Review)

The art of enamel painting in Iran has been manifested more than anywhere else, and one of its examples is from the Safavid era.

Introduction Minakari :

As you walk down the streets of Isfahan, I see art everywhere that goes by and you turn the head wherever you go.
The turquoise domes of the Islamic and Khutta designs of the enameled pots, and the motifs of the art of enameled art remaining from the hands of the artists, are all eternal works that will never be forgotten. In the meantime, the enamel paintings with the turquoise colors and the gritty designs left over from ancient and immortal mysticism and civilization are still at the top of the artist’s glorious memorials.

Painting is the brilliant art

Painting is the brilliant art of soil and fire that when left in a blend of thousands of colors and thousands of roles, it leaves no room for anything. History has shown that the history of this beautiful and precious art goes back to 5 years BC. But the exact date of its emergence in Iran is unclear. Two of the Orientalists attribute the history of the art of forging in Iran to the Parthian and Sassanian times.
But the time of its prominence dates back to the Qajar kings, especially Fath Ali Shah Qajar, from 2 to 6 years.

persian handicrafts

At that time, due to the special interest of the Qajar kings to hookah and its use, the portions of the shingled hookah head and pitchers were more widely obtained. But besides these items, other items such as earrings, earrings and smoked cans are also available. Fortunately, these dishes are fortunate enough to attract domestic and foreign enthusiasts and have a good sales market.

Minakari the Enamel Painting

To produce a piece of enamel, it is necessary to go through different steps. Achieving a desirable outcome requires careful consideration of all the factors and conditions affecting the production of a high quality product (hereafter). Accordingly, the stages of production of high quality enamel are as follows:

Minakari the Enamel Painting Steps

First: The first step in this regard is to provide a suitable infrastructure for bending and hammering.

Second: Removing and removing contaminants, wastes and waste from the infrastructure is a second step to better glue the metal surface. The surface of the metal should be completely clean, even any fingerprint staining can prevent the glue from adhering to the metal surface, resulting in cracking or cracking on the glaze surface, and there are various ways to clean the metal surface before glazing. Including the use of salt and vinegar, the use of sulfuric acid (sulfuric acid) and finally the use of soap, metal fibers, abrasives and brine.

Third: Glaze preparation is the next step. It should be noted that the glaze powder cannot be used solely because of its insolubility and bulk weight, and it is necessary to use a variety of natural concentrators such as glaze to grain and glaze powder.

Fourth: After the glaze is prepared, the next step is the glazing, which is done in two ways, spray and manual or watering. The latter method is economically advantageous and hygiene preferred

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